In Jean-Pierre Melville's 1967 French Neo-noir film Le Samourai, Alain Delon plays a solitary assassin with a meticulous New Wave hit-man style. With monochromatic, masculine chic, Jef attempts to outsmart double-crossing underworld criminals while remaining one cool customer.
Contemplating his next move after being shot, the emotionless anti-hero doesn't flinch. Jef Costello merely binds the wound, takes a deep drag on his Gitane, and dresses in a simple, sexy white t.shirt to compliment his cool inner turmoil and gray flannel pants.
With his laconic, ice blue eyes, chiseled features and solemn demeanor, Jef stalks the streets of Paris to a jazzy 1960's nightclub soundtrack in a palette of grey, black and white, cutting a striking figure as a subtle samurai gangster; white shirt cuffs precisely tailored, trenchcoat collar is expertly upturned, and a slick, black tie is knotted flawlessly under a razor-sharp minimalist suit.
He has a very nice and crisp Band of Outsiders meets J.Press aesthetic. Maybe not so much J. Press, but the very nicely tailored coats seem to suggest something that is not so current.
He has a very nice and crisp Band of Outsiders meets J.Press aesthetic. Maybe not so much J. Pres...
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He has a very nice and crisp Band of Outsiders meets J.Press aesthetic. Maybe not so much J. Press, but the very nicely tailored coats seem to suggest something that is not so current.
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